Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bohadlo, Stanislav | Sporckovská 'obecná nota': Rozhovor mezi Poustevníkem a Dvořanem na Bonreposkou árii. [Sporck's common tune: The dialogue between an hermit and a courtier on the Bon-Repos air] [BWV 212] |
McolBrunensia |
45 | 1-2 | 2010 |
41-59 |
Latin 2 |
| 2. | Macek, Petr (ed.) | Stanislavovi Tesařovi k 70. narozeninám / Stanislav Tesař at 70 Foreword by Ivan Poledňák. 313p. |
McolBrunensia |
45 | 1-2 | 2010 |
313p |
|
| 3. | Perutková, Jana | Problematika galantního stylu ve světle dobových pramenů (s bližším zaměřením na hudebně dramatickou tvorbu). [The problems of the galant style in light of the period sources (with focus on work of musical drama)] |
McolBrunensia |
46 | | 2011 |
127-139 |
|
| 4. | Macek, Petr (ed.) | Jaroslavu Strříteckému k 70. narozeninám. [Jaroslav Střítecký at 70] Brno: Masarykova univerzita, 2011. 178 pp. ISBN 978-80-210-5588-9. (= Musicologica Brunensia, Roč 46) |
McolBrunensia |
46 | | 2011 |
178p |
Latin 2 |
| 5. | Mądry, Alina; Frankowski, Patryk | Perneckher's Harmonia pastorella and C.P.E. Bach's trio in F: A rare example of compositions for concertato bass recorder. |
McolBrunensia |
47 | 1 | 2012 |
189-197 |
Latin 2 |
| 6. | Spurný, Lubomír | Heinrich Schenker: Teoretik a editor. [Heinrich Schenker: The theorist and editor] |
McolBrunensia |
47 | 2 | 2012 |
79-87 |
|
| 7. | Rabinovitch, Gilad | C.P.E. Bach's 'art' and 'craft'? Galant schemata and the rule of the octave as markers of convention in selected keyboard sonatas and in the Versuch. |
McolBrunensia |
52 | 1 | 2017 |
89-100 |
|